The problem with what I still call the Web Wide World is
that it springs news upon you when you are least expecting it, sometimes news
that you don’t want to hear.
Today, whilst looking for something completely different, my eyes were caught by one of those news items that they disperse within the text. Generally I don’t notice these things but my eye was drawn to two words ‘Sylvia Kristel’ and from there to the third word of what turned out to be a very sort sentence - ‘Dies’.
Today, whilst looking for something completely different, my eyes were caught by one of those news items that they disperse within the text. Generally I don’t notice these things but my eye was drawn to two words ‘Sylvia Kristel’ and from there to the third word of what turned out to be a very sort sentence - ‘Dies’.
Sylvia Kristel Dies.
For a moment the clock on the wall stopped ticking and I was
seventeen again, a memory of rattan chairs and puffy nipples flooding through
my consciousness as, for a brief instant, I remembered the excitement of being
young with a world of possibility in front of me. Reading on I was surprised to see that Sylvia
was only a handful of years older than me. I’d always thought of her as the
older woman, worldly wise, an ingĂ©nue – perhaps because she was Dutch or maybe
it was the hair - but as it turned out she was just twenty-two to my seventeen
when she starred in Emmanuelle. No difference at all really.
Back then Emmanuelle had seemed so racy with its mile-high,
lesbian, oral, group sex, rape scenes – all heavily censored and simulated of
course in blurred soft-focus long shot. It was erotica really, hardly soft
porn, these days even the soaps are nearly as graphic. But it caused a
sensation back then; the film was even banned in France for a while before becoming the
country's highest-grossing film of all time
I have three distinct memories of Emmanuelle.
The first was a trailer I saw in the interval of some other
film excursion, The Three Musketeers or maybe Carrie, before I even saw Emmanuelle.
The words ‘Coming Soon’ in big letters appeared on the screen, to be followed
by ‘Emmanuelle’ in that distinctly cursive typestyle... the cinema erupted in
howls of laughter.
The second happened on the day I plucked up the courage to
go see the film. I’d skived off school with my girlfriend and we’d caught the
bus into Oxford .
We were patiently queuing in our furs and tatters outside the Odeon, all ready for
the two o’clock performance, when who should come out of the cinema after
watching the eleven o’clock? No other than Chunky Gould, my English master, raincoat
discreetly folded over one arm. He looked at me, and I looked at him as he
mumbled: “I think you’ll like the first film better than the second.” The first
film was Confessions of a Window Cleaner, and I didn’t – but I was never
reported for skiving.
My final memory is of being on another bus one morning when
the inspector got on. This was some time after I’d seen the film and become a
fan of Sylvia. He asked to see my pass, which I gave him not realising it had
expired the previous day. After ticking me off and taking the 1/-3d fare (which
I had to borrow) he removed the pass from its plastic see-through wallet only
to find a naked Emmanuelle I’d cut from a newspaper hiding behind where the
pass had been. He went scarlet, passed back my pass and scuttled away down the
stairs.
Hard to believe that the beautiful young woman in that old
cutting is dead; sixty is really no age at all. Apparently Emmanuelle dogged Sylvia all her life and she appeared in several of the increasingly tawdry,
pornographic sequels - not ‘Emmanuelle and the Last Cannibals’ though. Years
after she told a reporter: "I was on a train and I couldn't jump off. What
is it they say? Be careful what you wish for."
Twice divorced and with her money gone - lost to alcohol,
cigarettes and cocaine addiction - Sylvia spent her final years in a small
apartment above an Amsterdam
cafe. She tried her beautiful hand at painting, a second career as an artist;
she could paint a bit and lived on the modest proceeds, supplemented by money
from the occasional television interview. I like her paintings very much.
I can’t explain how or why I feel the way I do about Sylvia
Kristel and Emmanuelle, perhaps it’s a right of passage thing. It’s all wrapped
up in a time of my life - well, in a time of my life when I was having the time
of my life. If only I’d know it at the time. Anyway, another small piece of my
youth gone; goodnight Sylvia, sleep well.
Andy Danger Bickerdike on FB
ReplyDeleteI'm going to struggle to even get anywhere close to your blogging..
Andrew Height
ReplyDeleteYour last post was great and most of the trick is getting old and disillusioned. Don't worry, you'll get there.
Andy Danger Bickerdike Yeah.. I am.. Ta
DeleteLiz Shore likes this.
ReplyDeleteKevin Parrott on Facebook:
ReplyDeleteGreat stuff........ oh for our formative years!!!