I’ve always thought of Buddy Holly as the perfect boy next
door, a bit of a goody-goody, verging on wimpishness even. But then I’ve never been much
of a judge.
Today is the 56th anniversary of Buddy Holly’s death. I
wasn’t even two when, as Don McLean sings, the music died before I was really there
to witness what it was all about. All I really know about Buddy
is that he had a girl called Peggy Sue and that he wore big, black specs and a
light blue jacket.
I didn’t know that on January 26, 1958, Holly and the
Crickets made their second appearance on the legendary Ed Sullivan Show. They
were planning to perform recent hit ‘Oh, Boy’, but ultra-conservative wasp Sullivan
ordered the group to drop the up-beat rock number and replace it with a slow ballad. Buddy
lost it, insisting on singing ‘Oh Boy', Sullivan cut Holly’s two song spot to
one and then decided to mispronounce the group’s name as ‘Buddy Hollett and
his Crickets.’ He also instructed sound engineers to mute the line feed for
Holly’s electric guitar.
It seems that rather than being the boy next door Buddy was
really a rebel and oh boy did he rebel. Singing rough and loud over Joe
Mauldin and Jerry Allison’s raw bass and drums, Buddy repeatedly turned up
the volume of his guitar and played faster and faster. Strutting a cocky sneer
that was pure Sis Viscous he let out a brilliant primal howl and then went into
a hard-rocking machine-gun solo.
The episode is one of the earliest and best examples of
rock’n’roll rebellion in the face of the bland corporations that controlled the
music business and still do to some extent. It’s also an example of how far Buddy was pushing the limits of
his music and his guitar to give birth to a new kind of sound. I guess Buddy was
the Johnny Rotten of his day in Middle America ’s
eyes; degenerate and dangerous and not the kind of girl that Peggy Sue should
be hanging around with at all.
Ironically, the performance was so well received that Ed
Sullivan was forced to invite the group back for a third time. Buddy responded
by telling Sullivan that they couldn’t afford him.
Never mind the bollocks Buddy - Listen here Rock on Buddy!
Kevin Parrott on FB
ReplyDelete.......... and before Buddy was signed to Coral Records, he was unknown and signed to Brunswick, owned by Decca Records.
He had the nouse to record his 'phone conversation with Decca trying to secure his release.
http://youtu.be/kNJ7NiftsgY
Buddy Holly Phone Call to Paul Cohen at Decca About His Contract, February...
YOUTUBE.COM
Andrew Height
DeleteI think Malcolm McLaren could have learnt a lot from Buddy Kevin.
Kevin Parrott
DeleteMcLaren probably did anyway Andy.......
both having the courage of their convictions.
I've been a Holly fan since Feb 4th 1959, when I was waiting for the school bus to Hyde Grammar School....See More
Kevin Parrott's photo.
Kevin Parrott on FB
ReplyDeleteMcLaren probably did anyway Andy.......
both having the courage of their convictions.
I've been a Holly fan since Feb 4th 1959, when I was waiting for the school bus to Hyde Grammar School.
A young woman came out of Rooke's paper shop waiving the Daily Mirror headline.
I'd had a record player for Christmas '58, and a friend had lent me the 78rpm of That'll Be The Day and I loved the guitar solo, but the record was credited to "The Crickets", so I wasn't really aware of Buddy Holly.......... but then... as they say..!
Kevin Parrott's photo.
Kevin Parrott
Delete.... Andy, I hope you don't mind me posting this, one of the tracks Decca wouldn't release.... I love it.
http://youtu.be/4-885SvIK_Y
Ting-A-Ling-Buddy Holly
Phone Call:http://www.youtube.com/watch?v=OfdOPUL409kTurn the volume up all the way....
YOUTUBE.COM
Andrew Height And the rest, as they say Kevin, is history. You owe him a great deal I think.
ReplyDelete
DeleteKevin Parrott
Sure do Andy..... he did so much in just 18 months.