So I’ve been asked to choose seven pieces of music (records
as we used to call then) over the next seven days that, for one reason or another, have impacted me in
some way. Seven isn’t very many and it will be hard, but my first choice
is an easy one to make.
In 1962 I was eight and like most small boys back then I was
deeply fascinated by outer space. Doctor Who was still a year away, but there
were plenty of ‘B’ movie science fiction films at the picture house at the Saturday
matinees, Dan Dare was available in The Eagle and of course Fireball XL5 was on
our black and white, valve driven television. Add to this The Sky at Night, the
space race between the US
and USSR and as many Science Fiction novels as I could borrow from the local library each week and it was inevitable
that the launching of the Telstar communications satellite would grab my
attention.
I must have heard Telstar by the Tornados on the radio. I
don’t know on what station or exactly when but it wasn’t long before a copy of
the record appeared in the anodised metal record rack alongside the Dansette
record player in our living room. Records were a bit of an investment back then
and very precious, so there it sat alongside Helen Shapiro’s Walking Back to
Happiness, Little Red Rooster by The Rolling Stones, John Leyton’s Six White
Horses and a Golden Chariot and Acker Bilk’s Stranger on the bloody Shore,
It was the second instrumental single to hit No. 1 in 1962 on
both the US and UK weekly charts and was written, produced and recorded
by Joe Meek in his studio in a small flat above a shop in Holloway
Road, North London. The other single was Acker Bilk’s Stranger on the
Shore, which I hated with a vengeance for various reasons, but I loved Telstar
as soon as I heard it.
There was something other worldly about that buzzing, whirling sound as it rose
higher and higher. I could almost imagine myself flying around the universe
with Steve Zodiac and Venus in Fireball XL5 as I listened. It was the first
piece of ‘electronic’ music that I’d heard and it had me hooked along with the
five million others who bought copies of the record across planet Earth.
It’s because of Telstar that I got into Kraftwork, Tangerine
Dream, Roxy Music and all those lush electro-pop groups of the eighties. I
still love electronically created music, but Telstar will always bring back memories
of playing spacemen and robots in the playground and of course Fireball XL5.
LISTEN HERE
LISTEN HERE
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